“Sonic Pi hasn’t infiltrated classrooms, but it has become a useful tool for experimental composers. That was what drew 29-year-old Melody Loveless, who is classically trained as a percussionist, into the scene. She has been making ethereal, downbeat compositions with code for close to two years now, offloading some of the heavy lifting of rhythm to a set of scripts. That is to say, her arms no longer hold her back. Instead she’s found a new muse in “having my brain sucked into the computer,” she said. “Something about live coding alleviated a lot of stress. If I’m nervous, the computer can stay on, and I can take my time making a decision,” Ms. Loveless said. With percussion, she said, “I had to be on at every measure, I had to be perfect.””
“We’ve trained a large-scale unsupervised language model which generates coherent paragraphs of text, achieves state-of-the-art performance on many language modeling benchmarks, and performs rudimentary reading comprehension, machine translation, question answering, and summarization — all without task-specific training.”
We are thrilled to announce the addition of NTT DOCOMO’s original set of 176 emoji to the MoMA collection. Developed under the supervision of Shigetaka Kurita and released for cell phones in 1999, these 12 x 12 pixel humble masterpieces of design planted the seeds for the explosive growth of a new visual language.
Facebook’s goal: a universal vocabulary that lets people express emotion as they scroll through their feed. In a sense, Reactions is an adaptation of digital culture in Asia, where messaging apps such as Line and WeChat have already established a complex language of emojis and even more elaborate “stickers.”
Does the language you speak online matter? The unprecedented ability to communicate and access information are all promises woven into the big sell of the internet connection. But how different is your experience if your mother tongue, for example, is Swahili rather than English?